Leonardo Da Vinci hysteria has been fully unleashed this week, with the start of Leonardo Da Vinci: Painter at the court of Milan, which started on Wednesday 9 November at The National Gallery, which has seen astounding advance ticket sales.
However, it’s Leonardo’s most famous painting, the Mona Lisa, permanently housed behind bullet-proof glass in the Musée du Louvre in Paris that continues to fascinate us all. The current London exhibition concentrates on the work the painter created in the 1580s and 1590s working for Duke Ludovico Sforza in Milan. The Mona Lisa was probably painted in Florence in 1503 or 1504, and it’s a painting the Louvre would now NEVER loan, especially after it’s history of, um, accidents (see below).
Here are a few random facts about the Mona Lisa, with her enigmatic smile, that will make you scratch your chin and go hmm…
- The Mona Lisa is also known a La Gioconda, La Joconde, or, rather more awkwardly, as the Portrait of Lisa Gherardini, wife of Francesco del Giocondo.
- Mona doesn’t actually refer to the sitter’s name, it’s a shortened form of the Italian ‘Ma donna’ which is a polite form of addressing a lady in Italian, similar to ‘Madam’ in English.
- Francesco del Giocondo was a wealthy Florentine cloth merchant who commissioned the painting to celebrate the birth of the couple’s second son.
- If you look closely, the Mona Lisa has no eyelashes or eyebrows – it’s been speculated that Italian women of the time totally removed these hairs, but scans show traces of hair painted on the canvas, which has probably disappeared due to over-enthusiastic cleaning.
- The Mona Lisa’s rocky history involves: being stolen by an Italian patriot and employee of the Louvre in 1911; moving to three locations during WWII including the Ingres museum in Montauban; being vandalised twice in 1956 with acid and a rock, respectively; being sprayed with red paint at the Tokyo National Museum in 1974 and having a teacup thrown at the glass cover in 2009!
- Viewers, on average, look at the Mona Lisa for 15 seconds only, due to the permanent queues to see her portrait.
The Leonardo Da Vinci exhibition at the National Gallery continues until 15 February 2012 and is open late until 10pm every night in the last 2 weeks of the show. Get your tickets in advance to avoid disappointment.
Sign up for the Easyart newsletter to take advantage of this exclusive offer and receive updates on the latest artists and collections.
Gives the frame its character and provides the perfect setting for an artwork to be fully enjoyed.
Protects the artwork from dust and wilting so that it can be admired for many years.
Adds depth to an image and works with the moulding to enhance and protect the artwork.
Bonds to the artwork ensuring it is perfectly smooth and holds the whole frame together.
We partner with the world's top museums and galleries to bring you exclusive prints of the highest quality. Our teams of designers ensure the colours are accurate, papers are well suited and the best frames are suggested.
In the printing room, artworks are printed on state-of-the-art machines with a team of technicians checking colour and quality every step of the way.
After being cut down to size, our team carefully finish any stray edges, check measurements and prepare the prints for mounting and framing.
We have a team of master framers who work with high-quality, responsibly-sourced wood to create our vast range of framing combinations - each frame is bespoke and made to order for every print.
Our selection of hand-finished frames are painted or stained by hand in a variety of colours, and finished with a layer of wax - the end result is a uniquely crafted, beautiful frame that is made to last.
In this workshop everything comes together - the print, the frame and the glass - in a seamless and stream-lined process.
The artwork is carefully mounted in preparation for framing.
Once mounted, the print is ready to be covered by glass or perspex - a delicate procedure but expertly done with not a fingerprint in sight.
After a final, thorough check, the framed print is ready to be carefully packaged up and shipped to the customer.
For those who order their art as canvas prints, the same amount of attention and care goes into the process. Here, the print is being transferred to a wooden frame.
As with the framed prints, our canvases are all hand-finished in the workshop - a labour of love from start to finish.