Born in 1795, John Frederick Herring spent the first eighteen years of his life in London, before moving to Doncaster. In Yorkshire, he married and began to earn his living as a humble painter of inn signs and coach insignia. Sketching equestrian subjects in his spare time, Herrings talent was quickly noticed and he soon found himself painting hunters and racehorses for local patrons. He lived for a time in Newmarket, and then in London, where he may have been tutored by a well-known artist of the time, Abraham Cooper. In London, he acquired new patrons and was even invited to France by the Duc dOrléans.
Herring exhibited at the Royal Academy between 1818 and 1846. His work was also shown at the British Institute and, most frequently, at the Society of British Artists in Sussex Street, of which he was a Member between 1841 and 1862. For many years, Herring was commissioned to paint the winners of the Derby and the St. Leger as well as many other famous contemporary horses and jockeys. He also painted many charming small-scale studies of rabbits, ducks, goats, birds and other animals.
Herring held the appointment of Animal Painter to the Duchess of Kent and a number of his works were engraved. Towards the end of his life he settled down as a country squire at Meopham Park near Tonbridge. Three of his sons; JF Junior, Charles and Benjamin, became prominent artists and his two daughters also married artists, ensuring that the Herring family is one of the most significant in the history of British art. Herring died in 1865.
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Gives the frame its character and provides the perfect setting for an artwork to be fully enjoyed.
Protects the artwork from dust and wilting so that it can be admired for many years.
Adds depth to an image and works with the moulding to enhance and protect the artwork.
Bonds to the artwork ensuring it is perfectly smooth and holds the whole frame together.
We partner with the world's top museums and galleries to bring you exclusive prints of the highest quality. Our teams of designers ensure the colours are accurate, papers are well suited and the best frames are suggested.
In the printing room, artworks are printed on state-of-the-art machines with a team of technicians checking colour and quality every step of the way.
After being cut down to size, our team carefully finish any stray edges, check measurements and prepare the prints for mounting and framing.
We have a team of master framers who work with high-quality, responsibly-sourced wood to create our vast range of framing combinations - each frame is bespoke and made to order for every print.
Our selection of hand-finished frames are painted or stained by hand in a variety of colours, and finished with a layer of wax - the end result is a uniquely crafted, beautiful frame that is made to last.
In this workshop everything comes together - the print, the frame and the glass - in a seamless and stream-lined process.
The artwork is carefully mounted in preparation for framing.
Once mounted, the print is ready to be covered by glass or perspex - a delicate procedure but expertly done with not a fingerprint in sight.
After a final, thorough check, the framed print is ready to be carefully packaged up and shipped to the customer.
For those who order their art as canvas prints, the same amount of attention and care goes into the process. Here, the print is being transferred to a wooden frame.
As with the framed prints, our canvases are all hand-finished in the workshop - a labour of love from start to finish.