John Atkinson Grimshaw was born in Leeds in 1836 and, after overcoming his parents resistance to his choice of career, became a highly successful and well-liked oil painter of the nineteenth century, known above all for his painting of urban moonlit landscapes.
Much of Grimshaws early work demonstrates an inspiration which stemmed from the writings of John Ruskin and the paintings of the pre-Raphaelites. In addition, Grimshaw made good use of the technology of the day by using photography and the camera obscura to help in the composition of his paintings and in the creation of repeats.
In the 1860s, Grimshaw became fascinated with the effects of moonlight and sunsets on landscapes, townscapes and dockyards in Glasgow, Liverpool, Whitby, London and Scarborough. So successful were his paintings of these scenes that, in 1870, Grimshaw was able to move with his family to a Jacobean house, Knolstrop Hall, in Leeds.
The house and its surroundings became the basis for a number of Grimshaws moonlit masterpieces, which he first showed at The Royal Academy in 1874. His work is now exhibited in prestigious galleries and museums around the world. Grimshaw died in 1893 and several of his children also became successful artists of their day.
Sign up for the Easyart newsletter to take advantage of this exclusive offer and receive updates on the latest artists and collections.
Gives the frame its character and provides the perfect setting for an artwork to be fully enjoyed.
Protects the artwork from dust and wilting so that it can be admired for many years.
Adds depth to an image and works with the moulding to enhance and protect the artwork.
Bonds to the artwork ensuring it is perfectly smooth and holds the whole frame together.
We partner with the world's top museums and galleries to bring you exclusive prints of the highest quality. Our teams of designers ensure the colours are accurate, papers are well suited and the best frames are suggested.
In the printing room, artworks are printed on state-of-the-art machines with a team of technicians checking colour and quality every step of the way.
After being cut down to size, our team carefully finish any stray edges, check measurements and prepare the prints for mounting and framing.
We have a team of master framers who work with high-quality, responsibly-sourced wood to create our vast range of framing combinations - each frame is bespoke and made to order for every print.
Our selection of hand-finished frames are painted or stained by hand in a variety of colours, and finished with a layer of wax - the end result is a uniquely crafted, beautiful frame that is made to last.
In this workshop everything comes together - the print, the frame and the glass - in a seamless and stream-lined process.
The artwork is carefully mounted in preparation for framing.
Once mounted, the print is ready to be covered by glass or perspex - a delicate procedure but expertly done with not a fingerprint in sight.
After a final, thorough check, the framed print is ready to be carefully packaged up and shipped to the customer.
For those who order their art as canvas prints, the same amount of attention and care goes into the process. Here, the print is being transferred to a wooden frame.
As with the framed prints, our canvases are all hand-finished in the workshop - a labour of love from start to finish.