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Denise Duplock art prints and posters

Inspired by colour, pattern and texture, Denise Duplock's canvases represent a contemporary definition of nature.

After graduating from the West Sussex College of Design in England, Duplock worked in New York for a brief period before moving back home to the UK. Employing a minimal palette of earthy colours, predominantly made up of olive greens, brown, sand and greys, Duplock's expressive abstract pieces and serene silkscreen prints imbue the viewer with a sense of tranquillity and balance.

Duplock derives inspiration from nature, the environs of her current seaside residence in Hove and her travels around the world. This is evidenced in paintings such as Marine Stripes, where lines of greens and aquamarine blues lay across the canvas horizontally in a perfect harmonious balance. The painting also comes in red-brown toned version called Terracotta Stripes. Other paintings, such as Circa, Como and Cibonne combine layers of sharply and precisely defined spherical shapes onto planes of vertical strips. The series titled Maidenhair Coco Stem features a negative and positive silkscreen of a fern in red and brown, whilst Fistral Nero Blanco III depicts contrasting black and white swirling patterns. Indeed, Duplock’s other works such as Poppet, Pip and Dotto channel and echo the 1950s aesthetic of that other design diva, the Irish designer Orla Keily.

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Moulding

Gives the frame its character and provides the perfect setting for an artwork to be fully enjoyed.

Perspex or glass

Protects the artwork from dust and wilting so that it can be admired for many years.

Mount

Adds depth to an image and works with the moulding to enhance and protect the artwork.

Backing board

Bonds to the artwork ensuring it is perfectly smooth and holds the whole frame together.

More about framing

framing info

In the Design Studio

We partner with the world's top museums and galleries to bring you exclusive prints of the highest quality. Our teams of designers ensure the colours are accurate, papers are well suited and the best frames are suggested.

Colour Perfecting in the Print Room

In the printing room, artworks are printed on state-of-the-art machines with a team of technicians checking colour and quality every step of the way.

Measuring Up

After being cut down to size, our team carefully finish any stray edges, check measurements and prepare the prints for mounting and framing.

Assembling Frames in the Framing Workshop

We have a team of master framers who work with high-quality, responsibly-sourced wood to create our vast range of framing combinations - each frame is bespoke and made to order for every print.

Hand-finishing in the Framing Workshop

Our selection of hand-finished frames are painted or stained by hand in a variety of colours, and finished with a layer of wax - the end result is a uniquely crafted, beautiful frame that is made to last.

The Last Stop

In this workshop everything comes together - the print, the frame and the glass - in a seamless and stream-lined process.

Mounting the Prints

The artwork is carefully mounted in preparation for framing.

Laying the Glass

Once mounted, the print is ready to be covered by glass or perspex - a delicate procedure but expertly done with not a fingerprint in sight.

The Final Product

After a final, thorough check, the framed print is ready to be carefully packaged up and shipped to the customer.

Transferring to Canvas

For those who order their art as canvas prints, the same amount of attention and care goes into the process. Here, the print is being transferred to a wooden frame.

Finishing the Canvas Edging

As with the framed prints, our canvases are all hand-finished in the workshop - a labour of love from start to finish.