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Barrie Clark art prints and posters

Born in Hampshire on 18th September 1943, Barrie Clark spent his childhood in the New Forest. His first memories are of steam locomotives and model aircraft as his father was an enthusiast and had served as a pilot with the Royal Flying Corps.

When he was four years old, Barrie Clark and his family moved to the Isle of Sheppey, where he was able to see and ride on the trains of the Sheppey Light Railway. He was a witness to the last train in 1950. He also had plenty of scope to watch Meteors, Vampires and Mosquitoes flying around the naval installations.

A further move to Surrey in 1951 enabled Clark to learn fishing and watch trains at the nearby stations. He attended the Maidstone College of Art in 1955, attending on Saturday mornings and, later, on day release from school.

Although Barrie Clark yearned to enter the RAF to fly, his parents persuaded him to follow a career in art. In 1958 he commenced full time art education at Dover and Folkestone Schools of Art and also developed an interest in guitar playing. Having transferred in 1950 to the Northampton College of Art and finished his studies there in December 1962, he initially followed a career in shop-fitting design. Meanwhile he started playing the guitar in the evenings at folk clubs and continued to paint in his spare time.

In 1967 he took a position designing and building prototype toys, yet throughout all these daytime jobs Barrie Clark was producing a steady flow of pictures, all of which he sold immediately. In 1967 he became a signalman on the Romney Hythe and Dymchurch Light Railway, and between 1968 and 1970 he drove the Winston Churchill engine.

With such a long-standing involvement with different engines and such a great talent for painting, it came as no surprise when Barrie Clark began painting full time, in 1970 selling his first batch of work within a fortnight. He now paints pictures of every subject imaginable, but remains most renowned for his brilliant aircraft images, the most famous of all being his Spitfire.

Despite his international career, Barrie Clark still finds the time to play blues guitar as well as looking after six cats.

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Gives the frame its character and provides the perfect setting for an artwork to be fully enjoyed.

Perspex or glass

Protects the artwork from dust and wilting so that it can be admired for many years.


Adds depth to an image and works with the moulding to enhance and protect the artwork.

Backing board

Bonds to the artwork ensuring it is perfectly smooth and holds the whole frame together.

More about framing

framing info

In the Design Studio

We partner with the world's top museums and galleries to bring you exclusive prints of the highest quality. Our teams of designers ensure the colours are accurate, papers are well suited and the best frames are suggested.

Colour Perfecting in the Print Room

In the printing room, artworks are printed on state-of-the-art machines with a team of technicians checking colour and quality every step of the way.

Measuring Up

After being cut down to size, our team carefully finish any stray edges, check measurements and prepare the prints for mounting and framing.

Assembling Frames in the Framing Workshop

We have a team of master framers who work with high-quality, responsibly-sourced wood to create our vast range of framing combinations - each frame is bespoke and made to order for every print.

Hand-finishing in the Framing Workshop

Our selection of hand-finished frames are painted or stained by hand in a variety of colours, and finished with a layer of wax - the end result is a uniquely crafted, beautiful frame that is made to last.

The Last Stop

In this workshop everything comes together - the print, the frame and the glass - in a seamless and stream-lined process.

Mounting the Prints

The artwork is carefully mounted in preparation for framing.

Laying the Glass

Once mounted, the print is ready to be covered by glass or perspex - a delicate procedure but expertly done with not a fingerprint in sight.

The Final Product

After a final, thorough check, the framed print is ready to be carefully packaged up and shipped to the customer.

Transferring to Canvas

For those who order their art as canvas prints, the same amount of attention and care goes into the process. Here, the print is being transferred to a wooden frame.

Finishing the Canvas Edging

As with the framed prints, our canvases are all hand-finished in the workshop - a labour of love from start to finish.