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Ends Monday 1st December

Easyart Loves

Easyart in Vanity Fair

With an art-filled month ahead (top of our list is Rembrandt at The National Gallery, followed by  Schiele… read more…

Spotlight on Sir John Soane

Sectional Perspective of 13 Lincoln’s Inn Fields by Frank Copland Architect and collector Sir John… read more…

Feeling Material: Antony Gormley Etching

Feeling Material by Antony Gormely A team of specialists in our Sussex studio were recently asked to produce… read more…

A-L Felstead in Evening Standard

Evening Standard, 12th August 2014 One of our new contemporary artists, Anna-Louise Felstead, recently… read more…

Mondrian and His Studios

Commemorating the 70th anniversary of the Dutch artist's death, this exhibition explores Mondrian's relationship with architecture and urbanism, as well as new insight into his working practice. read more…

Henri Matisse: The Cut-Outs

This unprecedented show explores the final works of Matisse's life - the cut-outs. read more…

From Watteau to Fragonard… les fêtes galantes

Musée Jacquemart-André, Paris Until 21 July 2014 For those lucky enough to be in Paris in the coming months,… read more…

Spotlight on Stilltime

The Stilltime Collection - a window into the past. Explore an edited selection from the monumental Stilltime collection, chosen by our Head of Publishing. read more…

At Home with Marion McConaghie

We sat down with artist Marion McConaghie to find out what inspires her and how she produces her unique style… read more…

Richard Reed on Art

Richard Reed, entrepreneur and founder of Innocent Drinks and the Art Everywhere project tells us about… read more…
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Bank Holiday Sale
25% off all orders over £25. Use the code AUG25 by 25/08/14


Gives the frame its character and provides the perfect setting for an artwork to be fully enjoyed.

Perspex or glass

Protects the artwork from dust and wilting so that it can be admired for many years.


Adds depth to an image and works with the moulding to enhance and protect the artwork.

Backing board

Bonds to the artwork ensuring it is perfectly smooth and holds the whole frame together.

More about framing

framing info

In the Design Studio

We partner with the world's top museums and galleries to bring you exclusive prints of the highest quality. Our teams of designers ensure the colours are accurate, papers are well suited and the best frames are suggested.

Colour Perfecting in the Print Room

In the printing room, artworks are printed on state-of-the-art machines with a team of technicians checking colour and quality every step of the way.

Measuring Up

After being cut down to size, our team carefully finish any stray edges, check measurements and prepare the prints for mounting and framing.

Assembling Frames in the Framing Workshop

We have a team of master framers who work with high-quality, responsibly-sourced wood to create our vast range of framing combinations - each frame is bespoke and made to order for every print.

Hand-finishing in the Framing Workshop

Our selection of hand-finished frames are painted or stained by hand in a variety of colours, and finished with a layer of wax - the end result is a uniquely crafted, beautiful frame that is made to last.

The Last Stop

In this workshop everything comes together - the print, the frame and the glass - in a seamless and stream-lined process.

Mounting the Prints

The artwork is carefully mounted in preparation for framing.

Laying the Glass

Once mounted, the print is ready to be covered by glass or perspex - a delicate procedure but expertly done with not a fingerprint in sight.

The Final Product

After a final, thorough check, the framed print is ready to be carefully packaged up and shipped to the customer.

Transferring to Canvas

For those who order their art as canvas prints, the same amount of attention and care goes into the process. Here, the print is being transferred to a wooden frame.

Finishing the Canvas Edging

As with the framed prints, our canvases are all hand-finished in the workshop - a labour of love from start to finish.