Easyart ID: 427432
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An original fine art litho poster published by Tate. This painting is Dalí's interpretation of the Greek myth of Narcissus. For this picture Dalí used a meticulous technique which he described as 'hand-painted colour photography' to depict with hallucinatory effect the transformation of Narcissus, kneeling in the pool, into the hand holding the egg and flower. Narcissus as he was before his transformation is seen posing in the background. The play with 'double images' sprang from Dalí's fascination with hallucination and delusion. This was Dalí's first painting to be made entirely in accordance with the paranoiac critical method, which the artist described as a 'Spontaneous method of irrational knowledge, based on the critical-interpretative association of the phenomena of delirium'. When he met Sigmund Freud in London in 1938, Dalí took this picture with him as an example of his work, as well as a magazine containing an article he had written on paranoia. Freud wrote the following day to Stefan Zweig, who had introduced them, that 'it would be very interesting to explore analytically the growth of a picture like this'.